Written by Suzanne Elliott. Representations of Civil Rights Era law enforcement in cinema since the 1980s have been generous, emphasising a fight for justice and tolerance. In this review, Suzanne Elliott examines how Judas and the Black Messiah (2021) breaks this trend, and why such a disruption is welcome.
Written by Melissa Kane. Maggie O’Farrell’s is a magisterial text. The writing is sublime, bringing to life Elizabethan Stratford-upon-Avon. However, it is a difficult text and requires a degree of familiarity with its inspiration, Shakespeare’s Hamlet.