• Review: ‘Elizabeth I’s Secret Agents’ Series 1, Episode 1

    Written by Martha Stutchbury  BBC’S Elizabeth I’s Secret Agents aired this month for the first time since its 2017 debut and provides fascinating insight into the meaning behind Isaac Oliver’s famous portrait of the Virgin Queen, which shows her majesty’s garments adorned with eyes and ears, in a veiled reference to what the documentary refers to…

  • An invisible historical landscape: Barcelona’s Civil War tours

    Written by Josh Newmark Image: Albggt, Placa de Catalunya, https://www.pinterest.com/pin/574068283732608796/, 04/11/2018 In a country which is often described as suffering from ‘historical amnesia’ towards its Civil War and subsequent dictatorship, Civil War tours of Barcelona bring history to life where it is otherwise inapparent. For those intrigued by the Spanish Civil War, the lack of much museum space…

  • Monsters, Masks & Military Mutilation: The Influence of the First World War on Early Horror Cinema

    Written by Scarlett Butler Image:  Unknown. Anna Coleman Ladd fitting soldier with restorative face mask. 1918. Photograph. Rare Historical Photos. Accessed October 30, 2018. https://rarehistoricalphotos.com/anna-coleman-ladd-masks-1918/. Suzannah Biernhoff has argued that the facial mutilation caused during the Great War was widely written about but “almost never represented visually” with the exception of medical documentation. Here I will contend…

  • Research Seminar Review: Dr. Julia McClure’s ‘Poverty on the Move in the Spanish Empire’

    Written by Carissa Chew On 17 October, the Global and Transnational Group and Scottish Centre for Diaspora Studies jointly welcomed Dr. Julia McClure from the University of Glasgow to present her latest research on ‘Poverty on the Move in the Spanish Empire’, a project that McClure framed as part of a broader challenge to the…

  • “How to tell the story of the slave trade without depicting bleeding dying Africans?”: A Question Posed by Lubaina Himid

    Written by Scarlett Butler Image: Lubaina Himid, Naming the Money (2004), https://www.historytoday.com/ella-s-mills/lubaina-himid-naming-un-named, accessed 21 October 2018. As Black History Month draws to a close, I am sure that many people are considering that phrase, ‘Black History Month’. Torn between the necessity of raising awareness of histories of the African-diaspora, and the discomfort that all we…

  • Cuba: Revolution on an Island

    Written by Josh Newmark Image: Marius Jovaiša’s  aerial photograph of Morro Castle and Fortaleza de San Carlos de la Cabaña, (Unseen Cuba / Marius Jovaisa), https://www.ibtimes.co.uk/unseen-cuba-first-aerial-photographs-reveal-islands-spectacular-beauty-1501542, accessed 21 October 2018. Why revolutions happen, and why some succeed when others fail, have been topics of great interest to generations of historians. Cuba has been no exception, and has long…

  • The Use of History in the 2018 Labour Conference

    Written by Chris Spencer Image: Photograph of the 2018 Labour Conference, https://www.rt.com/op-ed/439492-uk-labour-party-conference-corbyn/, accessed 21 October 2018. Keynote speeches at this year’s Labour Party conference were especially notable for their use of history. Speeches were littered with anniversaries that, supposedly, socialists should celebrate. The centenary of female suffrage in Britain was an unsurprisingly consistent feature, but then…

  • The Armenian Genocide: Revisiting Turkish Denial

    Written by Martha Stutchbury Image: Rita Willaert’s 2008 photograph of the Armenian Genocide Memorial in Yerevan. https://www.flickr.com/photos/rietje/2903021240/, accessed 21 October 2018. On 10 October 2018, French President Emmanuel Macron acknowledged and condemned the Armenian Genocide during a speech delivered at the Yerevan Memorial, continuing France’s longstanding policy of officially recognising the disaster. However, global acknowledgement of…